If you've been shopping around for a wedding videographer, no doubt you have been faced with lots of different styles and options. Every vendor is going to have a different approach, but based on our experience and philosophies, here are a few things you should ask before you
hire a wedding videographer.
1.
Are they really pros?
Recent
advancements in technology have made camera equipment and editing
software very affordable. The downside of this is that now there
are a lot of wannabes calling themselves "cameramen"
and "editors" when really they are just "guys
with a camera and some software."
How
do you tell the difference? Experience. The ideal cameraman
has experience shooting weddings, documentaries
and/or live television. These are the people who really understand
the art of "anticipate and respond," which is what you
want because when it comes to your wedding, there are no second
takes.
Shooting and editing are two separate art forms; make sure that the company you hire to do your
video is good at both shooting and editing.
2.
What kind of cameras do they use?
Consumer
camcorders you see at your local electronics store are typically
"single chip" cameras. These are small and lightweight
and great for home videos and vacations but are inappropriate
for shooting weddings. You want someone with a "three chip
camera" (known as a "three CCD" camera).
Three
chips produce much clearer and more accurate colours (even in
low light) than one chip.
You
also want someone who has a wireless
lavaliere microphone, a camera-mounted light, a tripod and/or
monopod and some extra lights just in case.
Pretty
much everyone is shooting on digital tape these days (mini DV
or DVCam) so they can do digital editing (also called "non-linear"
editing) and output digitally onto DVD. The benefit of keeping
the capture, edit and output process in the digital domain is
that the footage experiences little to no quality loss. You
should definitely hire someone who is up-to-date with digital
technology.
3.
What kind of lights do they use?
You
probably won't like it if your videographer mounts glaring hot
lights on an elaborate scaffolding. After all, this is your
wedding, not a film set. The camera equipment should absolutely
not compromise the décor and ambiance of the wedding.
An
adjustable camera-mounted light works really well. It moves
around with the cameraman (who moves around with the couple)
and it should be used only when necessary. It should be soft
and subtle, and its intensity can be adjusted so it is not overly
glaring. The way to find out if the cameraman understands this
is to look at his footage and watch for any "deer caught
in headlights" reactions from his subjects. The people
in the video should not even realize he's there: they should
be enjoying the wedding!
4.
What do the cameramen wear?
It's
tough, physical work, but they should be dressed nicely so that they blend into the background. They should not wear jeans, running shoes, etc.
5.
Can they do multiple camera shoots?
A 2 camera set-up is ideal if you have the budget for it. Your coverage will be a lot more complete and then your
editor can cut between the two cameras for a dynamic and entertaining
wedding video.
Just
make sure that BOTH cameras are the same quality (three chip)
and both cameras are manned by separate qualified cameramen;
do not let them leave a camera unattended on a tripod: it can lead to disappointing results.
6.
What is their sound quality like?
It
is easy to forget about sound when you are thinking of video,
but please do not make this mistake. Insist on a videographer
that uses a wireless microphone: they are small and unnoticeable
and amazing at recording vows, etc.
7.
What is their editing style?
This
is a very important question! Make sure their style suits your
taste. Don't be seduced by a lot of dazzling animation and special
effects - it might not be the look you want. And it might look
cheesy in the years to come. Classic simplicity never goes out
of style.
8.
Do they have a demo DVD?
They
had better! Don't fall for a "music video" or a series
of carefully chosen shots timed to music, because anyone can
look good that way. Ask to see actual, sequential clips from
a wedding (or even an entire wedding) incorporating recorded
natural sound mixed with music.
When
you are watching the demo DVD, be sure to look for:
·
clear, bright picture, even in low light
· clean natural sound
· audible, consistent audio levels
· smooth, non-jerky camera movement
· artistic camera composition
· seamless and dynamic editing
· relaxed bridal party and guests who hardly notice they
are being taped
Most
importantly, ask yourself, "Is a story being told? Do you
feel the emotion of that magical day?" Because after all,
you want a video that becomes more valuable as time goes by,
something that is true to your personalities and tastes and
not some form of torture on your unsuspecting dinner guests
in the years to come! A good wedding video will enable you to
relive one of the best days of your life.
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